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社会能量深圳站 —— 当代交流设计国际论坛

[ 2009-01-04 02:34:03 | 作者author: sense ]
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社会能量深圳站 —— 当代交流设计国际论坛
社会能量在深圳 —— 第二次浪潮

“社会能量 —— 当代荷兰交流设计”展(深圳站)将汇集国内外艺术设计界精英,
于1月10日至11日举办为期两天的当代交流设计国际论坛。

深圳在过去的20年里成为设计产业最活跃的中国城市,并享有“设计之都”的美誉。
作为改革开放的实验基地与印刷工业中心,外加良好的设计资讯,
深圳发展出的当代设计运动在第1次浪潮中,几乎成为了中国当代平面设计的代名词。
今天,全国性的产业结构调整近在眼前,中国正在试图为Made in China赋予新的涵义。
深圳设计伴随城市发展的转型,同样也面临巨大的无限可能性。
同时,当代平面设计也已积极融入更多学科的互涉与其他思想的给养,
成为世界范围内的从平面设计到交流设计的巨大转型。
深圳设计如何面对即将到来的新浪潮?

论坛将特邀来自荷兰的信息图表设计专家CatalogTree、
信息设计实验者Lust等团队的核心成员进行演讲。
并与香港、内地多位不同领域的文化精英一起,结合深圳设计现状和本土特色,
以“社会能量在深圳 —— 第二次浪潮”为论坛主题,
聚焦“信息时代的设计”和“城市空间中的视觉设计”两个话题进行交流探讨,
进一步挖掘和提升展览的社会意义和学术价值。
即将出任2009深圳城市\建筑双年展总策展人的跨界先锋欧宁先生将担任论坛主持。

注:
论坛为免费入场

论坛时间:
2009年1月10日(周六)-11日(周日)

论坛地点:
深圳市华侨城洲际大酒店大宴会厅

论坛主题:

社会能量在深圳 —— 第二次浪潮
Social Energy in Shenzhen —— Next Wave

2009年01月10日(周六)

分主题:

信息时代的设计
Live with information


在这个信息拥挤与混乱的年代,传统设计面临着巨大的挑战。
如何与信息共存已经成为今天人们生活的巨大困扰。
交流设计如何去面对这样的社会困境?

主持:

李德庚

主持:李德庚

08:30-09:00 入场

09:15-10:45 讲座:Catalogtree/图录树

11:00-11:45 讲座:黄炳培

13:00-13:45 讲座:区德诚

14:00-14:45 讲座:OMD

15:00-15:45 讲座:毛灼然

16:00-17:20 论坛:Catalogtree/图录树、黄炳培、黄扬、毛灼然、区德诚、OMD、王序、朱德才、朱力行

2009年01月11日(周日)

分主题:

城市空间中的视觉设计
Graphic in Urban Space


在印刷设计日渐衰微的时代,平面设计日益转向跟其他领域的融合,
视觉设计与交流设计的领地日益扩展到了更大的城市空间中。
在城市化进程中,交流设计可以扮演怎样的角色?

主持:

欧宁

08:30-09:00 入场

09:15-10:45 讲座:Lust /色欲

11:00-11:45 讲座:都市实践

13:00-13:45 讲座:欧宁

14:00-14:45 讲座:蒋慧仙

15:00-15:45 讲座:多相工作室(陈龙+贾莲娜)

16:00-17:20 论坛:Lust /色欲、都市实践、多相工作室(贾莲娜+陈龙)、蒋慧仙、欧宁、宋协伟

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论坛嘉宾:
(以首字母为序,排名不分先后)

Catalogtree/图录树(荷兰)、Lust /色欲(荷兰)、都市实践、多相工作室(陈龙+贾莲娜)、
黄炳培、黄扬、蒋慧仙、毛灼然、欧宁、区德诚、OMD、宋协伟、王序、朱德才、朱力行

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图录树 Catalogtree(荷兰)

信息图表设计专家。
图录树是一个多学科性的工作室,他们不断接受委托工作,
还进行自发的设计项目。工作室的工作建立在新技术和新逻辑的基础之上,
他们的日常工作有独立媒介设计、编制程序、字体设计、
信息导引以及把量化的复杂数据转化成简明的图形。
在接受了非常严格的印刷设计训练之后,图录树却把兴趣更多地投向了数字领域。
严格地说,他们并不算是数字技术专家,
因为他们真正擅长、能够把握的是利用数字逻辑来建立图表和图像,
用他们的话说,是建造信息的栖息地。图录树成天都在跟数据打交道,
表面看上去,他们是在驱赶着数字去建立形象、色彩与结构,
但有时,他们也乐于轻松,数字会有自己的逻辑,也会驱赶着他们去建立图像,
为数据建立栖息地,就是为我们建立信息,这就是图录树的工作。

Catalogtree (Netherlands)

Daniel Gross and Joris Maltha,
established catalogtree studio in Arnhem 2001,
which mainly engaged in information catalog design.
Daniel and Joris are good at changing the complex quantitative data into simple images,
they also fond of collecting vinyl records,
you may find vinyl records everywhere in their studio,
and almost 4395 vinyl records that they have been collected.

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色欲 Lust(荷兰)

色欲是信息设计实验者,把程序生成引入设计的探索者。
色欲形成了一套被描述为基于过程或基于生成系统的设计理论。
色欲完全归属于这个因数字技术而彻底改变了的新时代。
工作室的创立者之一原本学习物理,对事物原理、逻辑和程序有着天生的敏感和把握能力,
他们放弃了手工业者式的终端制造,后撤到了设计生产链中更为上游的环节。
他们利用逻辑与参照系数,他们为设计建立过程,而结果由过程自动生成。
当然,设计师仍然会监控模式的运行,并及时校准它的方向。
对设计来说,严格的机器逻辑和人性的随意同样重要。
色欲到委托人包括海牙市政府、荷兰邮政、荷兰电信公司、荷兰外交部、
文化部、环境部、耐克、鹿特丹布尼根博物馆、美国华盛顿互惠银行等,
在平面设计、交互媒体设计、建筑和城市规划相重叠的边缘地带进行设计。

Lust (Netherlands)

Typography, Design & Propaganda.
Lust is a graphic practice that tries to map out new terrains for graphic design,
for software, and for new audiences.
Lust is a threeperson graphic design practice established by Thomas Castro,
Jeroen Barendse and Dimitri Nieuwenhuizen.
They work in a variety of media including printed materials,
interactive installations and architectural graphics.
Lust considers design as a process.
Each design stems from a concept that results from extensive research.
In the course of its existence, Lust has developed a design methodology
which has been described as process-based design or generative-systems based.
This entails the developing an analytical process
which leads eventually to something that designs itself.

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URBANUS都市实践(中国)

URBANUS都市实践是由刘晓都、孟岩和王辉主持的建筑创作团体,
创建于1999年,目前有深圳公司和北京公司。
URBANUS都市实践的设计实践获得了国内外业界人士的广泛关注,
先后应邀参加海内外多项展览及交流活动,
其中包括深圳何香凝美术馆当代艺术中心2003年“空间阅读与都市实践展”、
巴西 “2005年圣保罗国际建筑与设计双年展”,“2005第二届广州当代艺术三年展”,
“05首届深圳城市/建筑双年展”,“07深圳.香港城市/建筑双城双年展”,
荷兰建筑师协会(NAI)举办的 “2006鹿特丹‘当代中国’建筑、
艺术与视觉文化大展”与葡萄牙建筑师协会举办的“2007里斯本国际建筑与设计三年展”、
2008年应邀参加法国建筑师学会在巴黎,巴塞罗娜的“当代中国建筑展”,
意大利“08米兰设计周Abitare杂志建筑对话”,
纽约建筑中心举办的“中国•建造展”以及纽约PARSONS 设计学院“城中村研究”展览,
并即将于2008年10月在美国纽约库博.哈维伊特国家设计博物馆举办专题展览。
2005年,URBANUS都市实践入选美国《Architectural Record》年度全球10个最具影响力的先锋设计事务所。

URBANUS (China)

URBANUS is a creation team in architecture founded in 1999 by Liu Xiaodu,
Meng Yan and Wang Hui with its companies both in Beijing and Shenzhen,
which was featured as one of the ten global “Design Vanguards”
by Architectural Record in December, 2005.
URBANUS is committed to the Modernist believe that architecture
is a pivotal force for better life, and hence architects should push the boundary of
their traditional role and be a progressive force in the society.
URBANUS have been involved in nearly 200 projects of architecture design and
urban planning, many of which are regarded as city landmarks and have been widely exhibited in
prestigious domestic and international shows, including:
the 26th San Paulo Biennial 2005,
the Shenzhen Biennial of Urbanism/Architecture 2005、2007,
the “China Contemporary ” exhibition 2006 by NAI in Rotterdam,
the Lisbon Architecture Triennial 2007, “Building China”2008,
Architecture Center, NY, USA, the “Exhibition of Chinese Contemporary Architecture 2008” ,
Paris (June 2008) and Barcelona (August 2008) and the “Tulou/Affordable Housing for China”
by Cooper Hewitt National Design Museum, New York. etc…
Founded in 1999, URBANUS is now based in Beijing and Shenzhen,
and is recognized as one of the leading forces among China’s design firms.
It was featured as one of the ten global “Design Vanguards” by Architectural Record in December, 2005.

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多相工作室(中国)

“多相”暗示的是人在生活中的多种状态,以及看待同一件事情的多种立场等。
我们的核心是反对一种绝对的灌输,反对一种不容置疑的精英论调,
希望获得开放的、多角度的、允许自我怀疑的认识。
正是因为有了这个“多相”,再加上它所带来的不定和变形,
多相的表征可能才会是多向(设计方向)和多象(形式结果)还有多项(设计门类)。
我们喜欢在生活中切实地观察和思考,日常生活就是我们所有设计冲动的源泉;
对于形式本身(象)我们没有特别强烈特别偏执的预设,或许可叫做开放形式/自由形式?
我们更感兴趣于挖掘事物背后的生成机制,而不仅仅满足于对它们的表面认识。
我们强调“恰当”,这对于我们比“新”、“奇”更有价值;
我们强调“理解”而不仅是“看到”,并试图以“建立理解”来对抗如今中国设计界的通病——“滥用风格”。

Duoxiang Studio (China)

“Duoxiang”implied that people’s variety state in life.
As well as the variety position when people face to one thing.
We are opposed to the absolute indoctrination,
as well as an no doubt elite argument, the understanding we want which is open-minded,
multi-angle, and allow self-doubt.
It is because of this “Duoxiang” Add with the uncertainties and deformation brought about by it.
Duoxiang’s characterization may be “multi-directions”(design direction) ,
“multi-images”(the result of form) and multi-categories (design categories).
we like to observe and think practically in life.
Every day life is the source of all of our design impulse,
we do not have a strong or stubbom preinstall, perhaps it may call “form of open”or “free form”,
we are more interested in digging the formation mechanism behind things .
rather than just be satisfied with the surface understanding about them,
we emphasize on”appropriate”,which it’s more important than“new”and “queer”.
We emphasize on “understanding”but not only “seeing”,
we trying to “build the understangding” which be able to against
the “abusing style” which is the common problem of today’s Chinese design circle.

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黄炳培(中国香港)

又名又一山人。1960年出生于香港。
1980年毕业于香港工商师范学院设计应用系。
五年平面设计工作后,投身广告创作行列。
先后于现代(香港)广告公司,精英(香港)广告公司及智威汤逊(香港)广告公司任职。
1996年移居至新加坡并加入英国 bartle bogle hegarty (亚洲)广告公司为亚洲创作总监,
为历来首位中国籍华人受聘海外此职位。
1999年回港,出任 tbwa (香港) 广告公司之行政总裁及行政创作总监。
至2000年,15年之广告生涯后,加入先涛数码出任创作总裁及导演。
2002年7月,成立三二一声画制作有限公司。
2004年,被邀成为AGI(国际平面设计联盟)会员。
过去十多年间,黄氏之设计、摄影及广告作品屡获香港、
亚洲及国际奖项四百多项。
过去十年间,黄氏对设计教育视为其下半生重要工作一环,
继续穿梭客席各大本地及海外院校。
除设计及广告创作外,黄氏亦对摄影及艺术十分热衷及积极,
尤专注人权及社会状况之题材。作品多次于香港及海外展出及获奖。
过去数年间,其‘红白蓝’系列艺术作品得到香港本地及国际关注。
2005年,代表香港参加威尼斯艺术双年展展出。

Stanley Wong (HongKong)

anothermountainman
born in 1960, stanley wong ping-pui,
better known as anothermountainman on the local art scene,
is a homegrown artist who received his education and professional training in hong kong.
following his graduation from the hong kong technical teachers’ college [design & technology] in 1980,
stanley worked as a graphic designer for 5 years before embarking
on what was to become a productive and rewarding
career in advertising. over the next 10 years,
he was on the creative teams of some of the most distinguished
advertising agencies in town.
in 1996, stanley was the ­rst chinese to undertake an overseas position in the asian advertising industry
when he became the regional creative director at bartle bogle hegarty [asia paci­c] in singapore.
he returned to hong kong in 1999 as chief executive of­cer and
executive creative director at tbwa [hk] advertising.
in 2000, stanley joined centro digital as chief creative of­cer/ ­lm director.
there, he experienced, for the ­rst time,
the joy of directing. two years later, along with his partner,
stanley set up threetwoone ­lm production limited,
specializing in advertising ­lm production.
since then, stanley has produced over 100 tv commercials.
apart from his commitment to advertising, stanley has a passion for ­ne arts and photography,
often focusing his subjects on social issues.
his affection for his birthplace is strongly re‑ected in his art.
in recent years, his works on 'redwhiteblue' ,
depicting the positive spirit of hong kong using
the ubiquitous tri-colour canvas, have won critical acclaim both locally and internationally.
a selected of the works are permanent collections
at hong kong museums and the victoria & albert museum in england.
in twentieth century,
he presents as guest lecturer through numerous colleges and universities in local & oversea,
eternally contribute to design education is major segment in the rest of his life.
in 2005, redwhiteblue travelled to venice as one
of the two art works from hong kong presented at the 51st venice biennale.
stanley's excellence in photography
and ­ne arts have been recognized in numerous exhibitions and awards.
throughout his career, he has won more than 400 awards in graphic design,
advertising and ­ne art at home and abroad.
in 2004, stanley was inducted into alliance graphique internationale,
a prestigious institution whose membership comprises
the most elite graphic designers from around the world.

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黄扬(中国)

深圳平面设计协会会员,1993年毕业于四川美术学院美术教育系。
1995 年至2000年就职于SIMS深圳国际企业服务公司。
2001年正式成立深圳黄扬设计有限公司,致力于平面设计及视觉艺术创作的研究和实践。
近期获奖:2003年深圳设计03展银奖;
2004年美国墨客纸行推广金奖(团体);
2005年GDC05展铜奖。
近期展览:2005年深圳市民中心“InChina”中国平面设计20人邀请展;
2006年深圳OCAT当代艺术中心“出位-非商 业”设计艺术展;
2007年上海、香港、深圳和台北四城文化海报展。
近期作品收录:《3030中国新平面设计》;
《同时代的平面设计》( TASCHEN出版 )。

Huang Yang (China)

Huang Yang, a member of Shenzhen Graphic Design Association;
graduated from Art Education Department in Sichuan Fine Art Institute in 1993;
In 1995-2000, he worked as the art director in Sims Advertising Co., Ltd.;
In 2001, establishing his own studio Huang Yang & Associates in Shenzhen in 2001,
committed to the graphic design and visual art research and practice.
Recent Awards:
2003 Silver Award, Shenzhen Design Exhibition;
2004 Gold Award (Group), Mohawk show5, America;
2005 Bronze Award, GDC Exhibition, Shenzhen;
Recent Exhibitions:
2005 ‘In China’20- person Invitational Exhibition of China Graphic Design,
2006 ‘Extraordinary.Non-Commercial’ Art,
Design Exhibition of OCAT Contemporary Art Center, Shenzhen;
2007 Four City Cultural Poster Exhibition, Shanghai, Hongkong, Shenzhen and
Taipei.
Recent issue of works:
3030 New Graphic Design In China; Contemporary Graghic Design(Taschen publish).

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蒋慧仙(中国台湾)

前台湾《破报》、《诚品好读》主编,
现任《周末画报》城市版总监。
九○年代中,《破报》是一份关心青年次文化与边缘群体的另类独立媒体,
任职主编期间参与、发起诸多议题的讨论,打开主流媒体论述空间;
共同策划街头扮装表演、国际破烂艺术生活节等实验性活动。
创立《诚品好读》月刊,以批判性思考、创意选题与图文编辑,
与青年族群进行积极对话,长期关注出版与文创产业、生活美学的发展变化;
任台北市文化局多项计划之评委与出版顾问,多次获金鼎奖最佳人文杂志入围肯定。
现任职《周末画报》城市版总监,积极打造一份具有国际视野的城市文化刊物。
编着有《阅读力》 、《好书100×100》、《电子音乐圣经》等书,
策划出版JOI ITO(伊藤穰一)《FREESOULS: Captured and Released》一书。

Jiang Huixian (Taiwan)

the editor-in-chief of the former Taiwan POTS and Eslite Reader,
now the chief editor of the city edition of Modern Weekly, POTS,
was a press which concerns for disadvantaged groups and the edge of the alternative.
When Jiang Huixian as the POTS the editor-in-chief, her attitude was critical ,
and she challenge the mainstream value continuously ,
and attempts to carry out the minority marginalization discussion.
committed to build an urban culture publication with an international perspective.
Books She has edited include: reading , Good Books 100 × 100, electronic music Bible and so on.

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毛灼然(中国香港)

毛灼然,香港平面设计师及Milkxhake成员之一。
04年获应邀加入意大利贝纳通传讯研究中心FABRICA,
负责项目包括FAB杂志美术指导工作。
05年回港后与互动设计师Wilson Tang成立Milkxhake,
主力从事平面和互动设计。作品曾入选东京字体指导协会奖 (04/06)、
香港设计师协会奖 (05/07),06年获得由纽约美术指导协会颁发ADC Young Guns 5奖项。
07年作品入选86th纽约ADC年奖及英国D&AD年奖,作品曾多次见于国际设计杂志及出版刊物。

Javin Mo (HongKong)

Javin Mo, a Hong Kong based graphic designer and co-founder of milkxhake.
In 2004 he was invited to join FABRICA,
the Benetton Research and Communication Center in Italy
and from 2004 to 2005 he was the art director of FAB,
the FABRICA quarterly magazine. After came back from Italy in 2005,
he re-initiated milkxhake with interactive designer Wilson Tang as one of
the most energetic design collective in Hong Kong.
Javin’s works have been selected for numerous international design awards including the
Tokyo Type Directors Club Awards (04/06) and received 1 gold,
1 silver and 1 bronze in the Hong Kong Designers Association Awards (05/07).
In 2006, he received the Young Guns 5 Award by the New York Art Directors Club.
He also received 2 merits award at the 86th New York Art Directors Club Annual and
the British D&AD Awards 2007.
His works have been widely published in design magazines and journals internationally.

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欧宁(中国)

艺术家、策展人、出版人、平面设计师、大声展创办者,
邵忠文化艺术基金会总监,2008年青年领袖评选候选人,
2009年深圳城市/建筑双年展总策展人。
作为大声展创办者,其策划的2007年第二届大声展彻底地离开了大家习惯的美术馆和艺术空间,
把展品安插到了城市人流量最为密集的商业卖场,
将艺术与商业的结合提升到一个全新的高度。
2003年,欧宁应邀为第50届威尼斯艺术双年展创作实验记录片《三元里》,
2004年创办艺术空间别馆,同年获得德国联邦文化基金会资助展开《大栅栏计划》拍摄计划。
他的出版活动涉及:1999主编设计了一本能够定义首都北京新出现的摇滚音乐文化现象的《北京新声》;
而2000-2006年的《周末画报》别册则刷新了媒体出版的观念。
他的作品曾在香港文化博物馆、曼彻斯特URBIS城市中心和伦敦V&A博物馆展出。

Ou Ning (China)

As an editor and graphic designer,
Ou Ning is perhaps best known for his seminal book New Sound of Beijing (1999),
which helped define the capital's emerging rock scene. As a curator,
he initiated the Get It Louder exhibition which tours in the major cities of China every two years.
He’s also the commissioned curator of the sound art section in China Power Station,
an exhibition presented by the Serpentine Gallery at London's legendary Battersea Power Station and
then travelled to Astrup Fearnley Museum of Modern Art, Oslo and MUDAM, Luxembourg.
As an artist, Ou is known for his involvement in urban research and
his archive and documentation projects such as San Yuan Li
(participant of the 50th Biennale di Venezia in2003, acquired by New York MoMA in 2004) and Da Zha Lan,
sponsored by the Kulturstiftung des Bundes.
He is a frequent contributor of various magazines,
books and exhibition catalogues and has lectured around the world.
In the late 1990s, he founded U- thèque, an independent film and video society.
Later, he launched Alternative Archive,
his personal studio as well as a platform for alternative cultural activities.
In November, 2008, Ou is appointed the chief curator of the 2009 Shenzhen Biennale of
Urbanism and Architecture. He’s currently based in Beijing,
China and is the Director of Shao Foundation.

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区德诚 (中国香港)

Amazing Angle Design Consultants Limited设计总监,
Amazing Twins 原创人之一。九十年代将其设计带到日本,
于东京、大阪等地展出,并与新力及日立合作,发展原创产品系列及广告制作。
二零零三年于工作坊开设 miniminigallery,举办有关设计、摄影和书籍的展览及座谈会。
二零零四年开始同时致力策展大型设计活动,包括「SEVEN ﹣日本顶尖美术指导展」、
「日本东京字体指导协会展在香港」(Tokyo Type Directors Club Exhibition in Hong Kong) 及
「东京设计周2007 Love from Hong Kong 展览」。
近作获奖及收录于亚洲最具影响力设计大奖2008、香港设计师协会奖07、
日本东京字体指导会 2008 年鉴、Brno Biennale 2008、 宁波国际海报双年展2008、
莫斯科Golden Bee 8、香港国际海报三年展2007、 Lahti Poster Biennial 2007等。
作品亦被香港及海外美术馆收藏。
由于对纸张和印刷于设计的运用经验丰富,曾为多间纸业公司作顾问。
此外,更被邀为本地及海外设计讲座作演讲嘉宾。
现为香港设计师协会全权会员、海道会会员及日本东京字体指导协会海外会员和评选委员 。
并为香港数间设计学院作校外评审及课程顾问。
2008年当选香港十大杰出设计师。

Benny Au (HongKong)

Design Director of Amazing Angle Design Consultants Limited.
Co-creator of Amazing Twins.
Works premiered in Japan in 1990’s and exhibited in Tokyo and Osaka.
At the same time, collaborated with Sony and Hitachi to develop original products and advertisements.
In 2003, founded miniminigallery at design studio and
have since been organizing exhibitions and seminars on design,
photography and publications. From 2004,
further effort was devoted to coordinate large-scale design activities including
“SEVEN – showcase of top Japanese art directors” and
“Tokyo Type Directors Club Exhibition in Hong Kong” and
“Love from Hong Kong” at Tokyo Designers Week 2007.
Recent awards include Design for Asia Award 2008,
Hong Kong Designer Association Awards 2007,
Tokyo Type Directors Club Annual 2008, Brno Biennale 2008,
Ninbo International Poster Biennale 2008, Moscow Golden Bee 8,
Hong Kong International Poster Triennial 2007,
Lahti Poster Biennial 2007.
Works are also collected by Hong Kong & overseas museums & galleries.
Acting as consultant to various paper companies for
his professional knowledge and experience in graphic design,
paper and printing.
Also, often been invited to speak for local and overseas design seminars.
Benny is currently a full member of Hong Kong Designer’s Association,
member of Poster League,
and overseas member & jury member of Tokyo Type Directors Club.
He is acting as external examiner and course advisor for
several design institutions in Hong Kong.
Awarded Hong Kong Ten Outstanding Designer in 2008.

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OMD(中国)

OMD当代设计中心(OMD Contemporary Design Terminal)
是一个具有创新精神的、多学科共同构建的创作集体,
是一个连接策展、出版、设计和研究的工作平台。
OMD寻求一切的可能性来为当下的设计拓展更大的社会能量。
OMD主动介入社会生产的诸多层面,
并寻求在各种新的领域与节点中发挥设计的作用及探讨设计的意义。
在设计实践领域,OMD把自己定位为社会生产的协作者,
与传统的手工业模式彻底划清了界限。
OMD的工作首先基于理性与科学,
强调根据项目本身的情况去设立恰当的设计方法与程序系统。
同时OMD也是当代新设计美学领域的创造者与探索者。
OMD是一个开放的工作平台与协作网络,
拥有开放的工作边界与不限定的协作领域。
目前,OMD的伙伴主要来自设计、写作、研究、
编辑、策展、评论、艺术、音乐等各自不同的学科与领域。
OMD的成员们具有在欧洲与中国不同的工作背景。
在成立OMD以前,他们各自作为独立工作的设计师、撰稿人、研究者、
编辑、策展人、批评家与艺术家在多个领域工作多年。
OMD的成员一直活跃在世界设计舞台,他们的项目得到世界范围的广泛关注与报道。
OMD将在未来继续致力于设计文化的实践、研究、推广与交流。

OMD(China)

OMD Contemporary Design Terminal
a creative team with high innovation spirit,
is based on multidiscipline and provides a comprehensive platform for curation,
publication, designing and research.
It tries all the means to explore more social energy for current designing.
Thus initiatively OMD involves itself in many social production scopes,
intending to give full rein to designing in every new field and node,
meanwhile exploring the meaning of design.
In the field of designing practice,
OMD claims to be the collaborator of social production,
standing aloof from the traditional handicraft model.
Whatever OMD is up to is based on science and reason.
It emphasizes a proper designing method and program system,
which should be set in accordance with the project itself.
Meanwhile OMD is also the creator and explorer of contemporary aesthetics of new design.
As an open platform and network, OMD covers unlimited cooperative fields.
Now it has companions from various fields like designing,
writing, research, curation, critics, arts and music etc.
Its members' working backgrounds are set in Europe rather than in China.
Before OMD was born, the members once worked independently as designers,
writers, researchers, editors, curators, critics or artists,
all of whom were rich-experienced in many fields.
By now they are still active in the designing area.
Their projects have drawn attention and are reported around the world.
In the future OMD will still dedicate itself to the practice,
study, promotion and exchange of the designing culture.

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宋协伟(中国)

国内著名艺术家、设计师、中央美术学院设计学院教授、
第六工作室导师、AGI国际会员。
其参加过的展览包括:
2000年德国彼得堡国际艺术交流展、韩国汉城国际平面设计师大会、
2001年美国艺术指导俱乐部年展等,2002年参与组织策划了2002新资源国际设计节并任秘书长;
曾获得“世界最美的书”德国莱比锡书籍设计奖、中国书籍设计展大奖、
中国第九届全国美展银奖、中国探索艺术展大奖、中国书籍设计展等多个国内外重要奖项。
迄今为止,其作品已被德国、法国、美国、加拿大、日本等多国人士收藏。

Song Xiewei (China)

a famous artist, designer, professor of School of Design,
Central Academy of Fine Arts, tutor of the Sixth Studio and member of AGI.
The exhibitions he has participated include,
the 2000 International Art Communication Exhibition in Petersburg,
the Convention of International Graphic Designers in Seoul and
the 2001 annual exhibition of the America Art Directors Club.
He is awarded the design medal from "The Most Beautiful Book in the World"
at Leipzig Book Fair and many other significant domestic and international medals.

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王序(中国)

著名平面设计师,国际平面设计联盟(AGI) ,纽约艺术指导俱乐部(NYADC)会员,
东京字体指导俱乐部(Tokyo TDC)会员。1979年毕业于广州美术学院设计系,
1986-1995年在香港任平面设计师,1995年在广州成立王序设计有限公司,
2000年在北京成立王序设计有限公司,
1999年王序设计公司与澳大利亚艾米与维臣设计公司(Emery Vincent Design)、
荷兰登贝设计公司(Studio Dumbar Design)结为国际联盟。
2000年应北京奥林匹克申办委员会邀请成为奥申委视觉委员会会员及奥申委标志设计评委,
其曾获得包括纽约艺术指导俱乐部年奖在内的各种国际设计竞赛100多个奖项。
并应邀在多个国际设计赛事中担任评委。
其作品被德国Kunst und Gewerbe博物馆、科特布斯勃兰登堡博物馆等艺术机构作永久收藏。

Wang Xu (China)

a famous graphic designer, member of AGI(Alliance Graphic International),
NYADC(New York Art Directors Club) and Tokyo TDC (Tokyo Type Directors Club),
graduated from the Guangzhou Academy of Fine Arts Department of Design in 1979,
from 1986-1995 in Hong Kong became a graphic designer.
He set up Wang Xu Design Co., Ltd in 1995 in Guangzhou,
and established Wang Xu Design Co., Ltd. in Beijing in 2000.1999,
Wang Xu Design Co., Ltd aligned with Emery Vincent Design and Studio Dumbar Design In 2000,
Wang Xu was invited for Beijing Olympic Bid Committee to be
a visual bid committee member and bid Jury logo design,
winner of over 100 awards in various international design competitions,
including the Year Award of the New York Art Directors Club.Besides,
he was invited to many international design competitions as the judges.
His work was showed in Germany Museum Kunst und Gewerbe,
and Cottbus Brandenburg Art Museum for permanent collection agencies.

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朱德才(中国)

英途联盟设计总监,
毕业于伦敦艺术大学(London University of Arts)互动多媒体研究生专业。
现主要负责媒体出版及品牌设计服务,
专注新媒体的创作实验和中国多媒体美学的发展,
曾参与多项国际艺术展览。

Eric Zhu (China)

Creative Director of Intox design & communication,
MA in Interactive Multimedia, graduated from London University of Arts.
Now he is focusing on new media experimentation and implementation,
being invited by various international arts exhibition.

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朱力行(中国香港)

1976年生于香港,从事新媒体艺术及互动网络设计。
1998年于纽西兰奥克兰大学完成电子电力工程学位后回港开始发展他的数码设计事业。
2004年他创立设计工作室PILL & PILLOW (PILLANDPILLOW.COM),
给予创意及程序技术更大空间,替客户制作互动网络设计。
朱力行分别于国际及本地得过的设计及艺术奖项包括:
于香港设计师协会奖2007获得2个金奖、7度获得FAVOURITE WEBSITE AWARDS (FWA)、
分别于2006 及 2007年夺得香港独立短片录像比赛 IFVA单屏幕互动媒体组银奖及金奖、
及于LONDON INTERNATIONAL ADVERTISING AWARDS(LIAA) 获得金奖。
朱力行曾于香港理工大学设计系, 香港城市大学创意媒体及香港艺术学院任客席导师。
于2007年加入香港设计师协会成为执行委员, 同年成为FWA及LIAA评审团。

Henry Chu(China HongKong)

was born in 1976, Hong Kong.
After obtaining his degree in Electronic & Electric Engineering Degree from the University of Auckland,
New Zealand, he started his digital design career in 1998.
n 2004, Henry set up his own design studio pill & pillow to extend his creativity
and technical expertise in helping clients create an interactive online experience.
Henry is the recipient of various awards from local and international design/art competitions and festivals,
including 2 Gold awards in the Hong Kong Designers Association Awards 2007,
7-time winner of Favourite Website Awards ,
the Silver award(2006) and the Gold award(2007) of the Hong Kong independent Short Film & Video Awards
in the Single-Screen Based Interactive category, and a Gold award in the London International Advertising Awards.
Henry is also a resident artist of Videotage and was also a guest lecturer of
The Hong Kong Polytechnic and School of Creative Media at City University,
Hong Kong and the Art School, Hong Kong. In 2007,
he joined the Hong Kong Designers Association as an executive committee member.
He is also a member of the jury of Digital Media in
the London International Advertising Awards and FWA Site of the Year.

“社会能量——当代荷兰交流设计展”深圳站

主办:
华 • 美术馆
OMD当代设计中心
中央美术学院设计学院

特别支持:
华侨城酒店集团
深圳华侨城洲际大酒店
荷中艺术基金会
蒙德里安基金会
荷兰大使馆
深圳市平面设计协会

展览总监:
倪静
樊宁

策展人:
王敏
李德庚
蒋华

策展顾问:
王序

成都区域策展人:
何明

深圳区域策展人:
黑一烊

深圳区域形象设计:
SenseTeam 山河水团队

深圳区域空间策展团队:
SenseSpace 山河水空间/多相工作室

影像策展团队:
MOGO

媒体支持:
《城市中国》
《周末画报》
《新视线》
《城市画报》
《360°》
《里外》
《深圳商报》

uploads/200901/01_030357_728_1_829_4_1.jpg

深圳市华侨城洲际大酒店

uploads/200901/01_030401_espanatheatre.jpg

深圳市华侨城洲际大酒店大宴会厅

uploads/200901/01_030350_5.jpg

最终时间及嘉宾安排以讲座当天为准。
主办单位保留最终更改权利。

如对“社会能量—当代荷兰交流设计”展有任何问题,
请联系:

华•美术馆
联系人:刘阳
Tel: +86 755 3399 3222
Fax: +86 755 3399 3222
E-mail: luya.liu@icshenzhen.com

深圳区域策展团队 —— SenseTeam 山河水团队
策展助理:赵萌 王小盟 周锦嫦
Tel: +86 755 8248 4277
Fax: +86 755 8248 4645
E-amil: media@sensebrand.com

旧贴链接:

社会能量 Social Energy
http://www.sensebrand.com/blog/article.asp?id=271

成都行 —— 半夜12点 社会能量 Social Energy 布展
http://www.sensebrand.com/blog/article.asp?id=279

成都行第一天 —— 开幕
http://www.sensebrand.com/blog/article.asp?id=280

成都行第二天 —— 讲座 变脸
http://www.sensebrand.com/blog/article.asp?id=281

成都行第三天 —— 疯狂的能量
http://www.sensebrand.com/blog/article.asp?id=282

北京能量第一天 —— 论坛
http://www.sensebrand.com/blog/article.asp?id=295

北京能量第二天 —— 开幕
http://www.sensebrand.com/blog/article.asp?id=296

北京能量第三天 —— 喜鹊
http://www.sensebrand.com/blog/article.asp?id=297

北京能量第四天 —— 大衣
http://www.sensebrand.com/blog/article.asp?id=298

社会能量深圳站前期沟通会
http://www.sensebrand.com/blog/article.asp?id=300

社会能量展北京站撤展
http://www.sensebrand.com/blog/article.asp?id=304

社会能量展深圳站特别放映会 ——《当代荷兰交流设计》
http://www.sensebrand.com/blog/article.asp?id=314

《当代荷兰交流设计》社会能量纪录片
http://www.sensebrand.com/blog/article.asp?id=317

“社会能量——当代荷兰交流设计展”(深圳站)即将开幕
http://www.sensebrand.com/blog/article.asp?id=322
[最后修改由 sense, 于 2009-02-16 18:24:27]
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